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The Booking System.

Every artist loses gigs or fees because they don't know how promoters think. This is how I learned to make money on tour as an independent artist and stop playing for free.

I didn't have an agent, and I had barely 1k followers on social.

I started with a gig in NYC. And a friend named Dan.

Dan knew a promoter in Boston. I asked him to introduce me while I was in the area. He did.

I sent him a DM:

"Hey, I'm in NYC Oct 10–14. Got a slot available for Boston. $800 LANDED."

7 hours later the promoter said yes.

That gig turned into another. And what started as a one-off while in New York turned into a 5-city tour. All it took was a few small changes in how I thought about things.

This playbook is everything I learned. And how you can use it.

The Booking Playbook

Stop working for free. Build a touring schedule that pays.

Shift 01 · Lead with value
Promoters want full rooms and fewer problems.
Make your offer clear and easy to approve. Lead with the dates, the fee, and why you fit the room — not with how much you want the gig.
Shift 02 · Be specific
Replace vague interest with concrete terms.
"I'd love to play" becomes "I'm in [City] Oct 10–14. I have one date open. My landed fee is $X." Specificity is professionalism.
Shift 03 · Be easy to work with
Reply quickly. Show up prepared. Keep it simple.
Being reliable converts faster than raw talent. Quick replies, clean communication, no drama — these are the traits that get you re-booked.
Shift 04 · Build every booking
Use each show to create the next opportunity.
Every gig is a doorway. Follow up with the promoter, meet the support act, connect with local artists. One booking should yield three.
Casual wordingProfessional wording
"I'll be in town next month…" "I'm in [City] from Oct 10–14. I have one date open."
"I'd love to play your club." "Your room fits my sound. Are you booking during those dates?"
"Can we work something out on price?" "My landed fee is $X, including travel."
"Check out my SoundCloud." "Here is a recent 30-minute recording of my current sound."
Logistics & Strategy
The LANDED Standard
Quote one fixed fee that includes travel, local transport, and hotel when needed. The promoter sees the full cost upfront. You avoid back-and-forth and make approval easier. "Landed" means you handle the logistics — the fee is the fee.

Landed Fee Calculator

Find the minimum fee that covers your costs, time, and travel.

Travel and other costs $670
Time and opportunity cost $1,050
Break-even fee $1,720
Do not accept a fee below this amount.
Suggested quote $2,150
at 20% margin

The things you send

Copy-paste templates for the conversations that matter. Adapt the details, keep the structure.

Warm Routing Introduction
Subject: [Artist Name] — [City] — [Target Dates] Hi [Promoter Name], [Mutual Contact] suggested I connect with you directly. I will be routing through [Region/City] between [Date Range] and have availability for a focused club date. My current sound aligns with [Mention Room / Past Respected Bookings]. Recent mixes and live sets: [Link 1], [Link 2]. For this routing, my flat fee is [Amount] LANDED, which fully accounts for travel, accommodation, and performance terms. I can provide the technical rider and confirmation details immediately. If the dates align with your programming schedule, let me know and we can compare notes. Best, [Your Name]
72-Hour Soft Hold Release
Hi [Promoter Name], Following up on the hold for [Date]. I can hold this calendar slot until [Day, Time, Timezone]. After that deadline, I will need to release the date back to other incoming inquiries for that weekend. If you'd like to confirm the booking, please send through the confirmation details and deposit schedule before then. No stress either way — simply keeping the calendar clean. Best, [Your Name]
Exclusivity Clause Defense
Hi [Promoter Name], Reviewing the draft contract. Regarding clause [X] (Exclusivity): A 60-mile / 90-day blackout window is disproportionate for a non-headline regional date. I am happy to agree to standard protection: no promotional appearances within [15 miles] for [14 days before and 48 hours after] our event. If broader regional exclusivity is required, we can maintain it by adjusting the guaranteed fee to [Higher Fee Amount] to cover the blocked routing opportunities. Let me know which structure works best for your budget and I'll sign off. Best, [Your Name]
Deal Protection Protocol
DEAL PROTECTION PROTOCOL: [ ] Fee Guaranteed in Contract Currency [ ] Deposit: 50% non-refundable upon signing [ ] Remaining 50% settled prior to performance [ ] CDJ / Mixer models explicit in technical rider [ ] Soundcheck buffer: Minimum 3 hours pre-event [ ] Exclusivity limited to 15 miles / 14 days max

Field references

Quick-access checklists and worksheets for the practical side of the job.

Checklist · Artist Side
Deal Protection Checklist
The points to confirm before flights, equipment, exclusivity, and payment become your problem.
Worksheet · Promoter Side
Bar Margin Audit
A field worksheet for finding where drink revenue disappears between the till and the report.
Checklist · Promoter Side
Post-Event Reconciliation
Close the night against tickets, bar, artist costs, staffing, and cash movement.
Checklist · Artist Side
International Booking Checklist
Before, during, and after an international gig — what to confirm, what to bring, what to leave at home.
Deal Protection Checklist (Artist Side)
Confirm these before you sign anything or board a flight.
Total guaranteed fee — Explicitly stated in the agreed currency.
Landed breakdown — Confirmation of whether flights and hotel are reimbursed or artist-booked.
Deposit schedule — Minimum 50% upon signing, non-refundable on cancellation within 30 days.
Balance terms — Remaining 50% paid in cash or by wire prior to performance.
Rider guarantee — Specific hardware models listed (e.g. CDJ-3000 / DJM-A9), not generic "DJ gear".
Set times and duration — Exact scheduled start and stop times.
Travel windows — Minimum 3-hour buffer between arrival and soundcheck.
Exclusivity restrictions — Geographic and time limits agreed in writing.
Settlement sign-off — A named promoter representative responsible for payment on site.
Bar Margin & SOR Audit (Promoter Side)
Stop margin bleed before the doors open.
Opening bottle weight — Pre-event inventory audit of spirits.
Jigger compliance — Fixed 1.5oz / 2oz pour enforcement to prevent overpour loss (typically 20–28%).
Ice and disposables — 1.25 lbs ice per guest; back-bar cups accounted for.
SOR (sale-or-return) — Verify unsealed case return agreements with distributors.
POS float verification — Document the cash starting float per till.
House tab cap — Hard dollar ceiling on staff and artist tabs.
Post-Event Reconciliation
Close the night cleanly.
Confirm who owns the numbers before the night starts.
Record the opening state, not just the closing story.
Separate gross revenue from actual cash received.
Name every deduction and who approved it.
Close the report while the evidence is still warm.
International Booking Checklist
Before, during, and after a cross-border gig.
Before the gig
Confirm the date, time, and location.
Send your tech rider.
Confirm the fee and payment method.
Book your travel (if LANDED).
Share your arrival details.
What to bring
USB drive with your set (backup).
Your own headphones.
Business cards.
A good attitude.
What to leave at home
Drama.
Excuses.
Ego.
The assumption that you're the star.
After the gig
Send a thank-you email.
Share the recording.
Tag the venue in your posts.
Follow up with the promoter.
Ask for introductions to other promoters.
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